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Perduto ho il core, arietta for voice & keyboard (from Sei ariette) | 01. | Bernardo Pasquini: Perduto ho il core, arietta for voice & keyboard (from Sei ariette) 3:38 | |
Amadis, opera, LWV 63: Bois épais redouble ton ombre | 02. | Jean-Baptiste Lully: Amadis, opera, LWV 63: Bois épais redouble ton ombre 3:44 | |
Les Fêtes Vénitiennes, opera: Accourrez, hâtez-vous | 03. | Andre Campra: Les Fêtes Vénitiennes, opera: Accourrez, hâtez-vous 1:53 | |
Aimable solitude, for voice & keyboard | 04. | Jean- Baptiste Matho: Aimable solitude, for voice & keyboard 3:30 | |
Armide, opera in 5 acts, Wq. 45: Voici la charmante retraite | 05. | Christoph Willibald Gluck: Armide, opera in 5 acts, Wq. 45: Voici la charmante retraite 2:13 | |
Sancho Pança dans son isle, opera: Il fallait le voir au village | 06. | François-André Danican Philidor: Sancho Pança dans son isle, opera: Il fallait le voir au village 1:56 | |
Voici le printemps, romance for voice & piano | 07. | Nicolas Roze: Voici le printemps, romance for voice & piano 1:45 | |
Romeo et juliette: J'aimerai toute ma vie | 08. | Nicolas Dalayrac: Romeo et juliette: J'aimerai toute ma vie 2:37 | |
La Rosière de Salency, opera: Ma barque légère | 09. | André Grétry: La Rosière de Salency, opera: Ma barque légère 2:21 | |
L'Amant jaloux (Les Fausses Apparences), opera: Tandis que tout sommeille | 10. | André Grétry: L'Amant jaloux (Les Fausses Apparences), opera: Tandis que tout sommeille 2:39 | |
Colas sois-moi fidèle, chansonnette for voice & keyboard | 11. | Jadin: Colas sois-moi fidèle, chansonnette for voice & keyboard 3:09 | |
Pauvre Jacques, romance | 12. | Anonymous: Pauvre Jacques, romance 2:59 | |
Rondinella Pellegrina (Songs for the Risorgimento) | 13. | Traditional: Rondinella Pellegrina (Songs for the Risorgimento) 1:54 | |
La Livornese (Songs for the Risorgimento) | 14. | Traditional: La Livornese (Songs for the Risorgimento) 3:30 | |
L'addio del Giusti (Songs for the Risorgimento) | 15. | Traditional: L'addio del Giusti (Songs for the Risorgimento) 4:02 | |
Giulia Gentil (Songs for the Risorgimento) | 16. | Traditional: Giulia Gentil (Songs for the Risorgimento) 1:29 | |
Widmung (Dedication) | 17. | Robert Franz: Widmung (Dedication) 1:32 | |
Weisst du noch, for voice & piano | 18. | Robert Franz: Weisst du noch, for voice & piano 1:40 | |
Denk ich dein, for voice & piano | 19. | Robert Franz: Denk ich dein, for voice & piano 1:35 | |
Genesung, for voice & piano | 20. | Robert Franz: Genesung, for voice & piano 2:13 | |
Gesänge (6) for voice & piano, Op. 20: No. 3, Wie des Mondes Abbild | 21. | Robert Franz: Gesänge (6) for voice & piano, Op. 20: No. 3, Wie des Mondes Abbild 1:47 | |
Für einen, for voice & piano | 22. | Robert Franz: Für einen, for voice & piano 2:42 | |
Er Ist Gekommen (Franz) | 23. | Robert Franz: Er Ist Gekommen (Franz) 1:38 | |
Er ist gecommen, Op 4. | 24. | Robert Franz: Er ist gecommen, Op 4. 1:50 | |
Tanzlied im Mai, for voice & piano | 25. | Robert Franz: Tanzlied im Mai, for voice & piano 0:47 | |
Gedichte der Königin Maria Stuart (Mary Stuart Songs), for voice & piano, Op. 135: Abschied von Frankreich | 26. | Robert Schumann: Gedichte der Königin Maria Stuart (Mary Stuart Songs), for voice & piano, Op. 135: Abschied von Frankreich 2:29 | |
Gedichte der Königin Maria Stuart (Mary Stuart Songs), for voice & piano, Op. 135: Nach der Geburt ihres Sohnes | 27. | Robert Schumann: Gedichte der Königin Maria Stuart (Mary Stuart Songs), for voice & piano, Op. 135: Nach der Geburt ihres Sohnes 1:45 | |
Gedichte der Königin Maria Stuart (Mary Stuart Songs), for voice & piano, Op. 135: An die Königin Elisabeth | 28. | Robert Schumann: Gedichte der Königin Maria Stuart (Mary Stuart Songs), for voice & piano, Op. 135: An die Königin Elisabeth 2:04 | |
Gedichte der Königin Maria Stuart (Mary Stuart Songs), for voice & piano, Op. 135: Abschied von der Welt | 29. | Robert Schumann: Gedichte der Königin Maria Stuart (Mary Stuart Songs), for voice & piano, Op. 135: Abschied von der Welt 3:01 | |
Gedichte der Königin Maria Stuart (Mary Stuart Songs), for voice & piano, Op. 135: Gebet | 30. | Robert Schumann: Gedichte der Königin Maria Stuart (Mary Stuart Songs), for voice & piano, Op. 135: Gebet 1:58 | |
O qui coeli terraeque serenitas, solo motet for voice, strings & continuo in E flat major, RV 631 | 31. | Antonio Vivaldi: O qui coeli terraeque serenitas, solo motet for voice, strings & continuo in E flat major, RV 631 4:12 | |
Ombra che pallida, scena and aria for soprano & orchestra | 32. | Antonio Vivaldi: Ombra che pallida, scena and aria for soprano & orchestra 7:06 | |
Ch'io mi scordi di te...Non temer, amato bene, recitative and aria for soprano, piano & orchestra, K. 505 | 33. | Wolfgang Amadeus Mozart: Ch'io mi scordi di te...Non temer, amato bene, recitative and aria for soprano, piano & orchestra, K. 505 10:23 | |
Solo e pensoso, aria for soprano & orchestra (from Petrarch: Il Canzoniere), H. 24b/20 | 34. | Franz Joseph Haydn: Solo e pensoso, aria for soprano & orchestra (from Petrarch: Il Canzoniere), H. 24b/20 6:46 | |
La moglie quando è buona, aria for soprano & orchestra (for Cimarosa's Giannina e Bernardone), H. 24b/18 | 35. | Franz Joseph Haydn: La moglie quando è buona, aria for soprano & orchestra (for Cimarosa's Giannina e Bernardone), H. 24b/18 3:37 | |
Infelice Sventurata, aria for soprano & orchestra (for Cimarosa, I due supposti conti), H. 24b/15 | 36. | Franz Joseph Haydn: Infelice Sventurata, aria for soprano & orchestra (for Cimarosa, I due supposti conti), H. 24b/15 from Infelice Sventurata, aria for soprano & orchestra (for Cimarosa, I due supposti conti), H. 24b/1536 Infelice Sventurata - Aria For _I Due Supposti Conti_, Domenico Cimarosa (Haydn) 2 5:35 | |
Sono Alcina e sono ancora, aria for soprano & orchestra (for Gazzaniga's L'isola di Alcina), H. 24b/9 | 37. | Franz Joseph Haydn: Sono Alcina e sono ancora, aria for soprano & orchestra (for Gazzaniga's L'isola di Alcina), H. 24b/9 4:15 | |
Vada adagio, signorina, aria for soprano & orchestra (for Guglielmi's La Quakera spiritosa), H. 24b/12 | 38. | Franz Joseph Haydn: Vada adagio, signorina, aria for soprano & orchestra (for Guglielmi's La Quakera spiritosa), H. 24b/12 4:43 | |
No, non turbarti! . . . Ma tu tremi, o mio tesoro, scena and aria for soprano & orchestra, WoO 92a | 39. | Ludwig van Beethoven: No, non turbarti! . . . Ma tu tremi, o mio tesoro, scena and aria for soprano & orchestra, WoO 92a 6:52 | |
Prelude & 2 Psalms, for soprano & orchestra (or piano): Salmo 114 | 40. | Ludwig van Beethoven: Prelude & 2 Psalms, for soprano & orchestra (or piano): Salmo 114 3:56 | |
I Pastori, for voice & piano (5 Liriche, No. 1) | 41. | Ildebrando Pizzetti: I Pastori, for voice & piano (5 Liriche, No. 1) 5:17 | |
Variations sur le Carnaval de Venise, for voice & orchestra: 2. variazione | 42. | Virgilio Mortari: Variations sur le Carnaval de Venise, for voice & orchestra: 2. variazione 2:52 | |
Variations sur le Carnaval de Venise, for voice & orchestra: 4. variazione | 43. | Virgilio Mortari: Variations sur le Carnaval de Venise, for voice & orchestra: 4. variazione 3:29 | |
Total Playing Time: 2:19:23 |