Michael Udow (1949) composes rhythmically-engaging, often complex contrapuntal lines with imaginative timbres that weave effortlessly with memorable melodic lines. Seven works comprising two Opera Suites, two Early Works with voice and a three Percussion Concerti are interpreted and performed brilliantly by the Rhode Island Philharmonic Orchestra & Larry Rachleff, Boulder Philharmonic Orchestra & Michael Butterman, with Brian Jones, Timpanist; Madison Philharmonia & Scott Teeple, with Anthony Di Sanza, Percussion; and the Colorado Chamber Orchestra & Thomas Blomster, with David Barron, Baritone, and Dave Alcorn, Percussion. Fulbright-Hayes Fellow, Michael Udow has enjoyed a distinguished career spanning 42 years with The Santa Fe Opera and 29 years at the University of Michigan.
With: Colorado Chamber Orchestra, Thomas Blomster - Conductor, Dave Alcorn - Multiple Percussion
Total Playing Time: 1:34:58
Michael Udow - percussion, composer, conductor
Fulbright-Hayes Fellow, Michael Udow, was the 2014-15 Composer-in-Residence with the Colorado Chamber Orchestra. Michael has composed operas, film scores, orchestral and wind ensemble works as well as numerous chamber music and solo compositions. His distinctive compositional voice alludes categorization. Quite often, his rhythmically engaging complex contrapuntal lines with dense timbres weave effortlessly with memorable melodic lines.
The Richmond Times-Dispatch review by Clarke Bustard of the premiere of The Shattered Mirror Suite performed by the Richmond Symphony states:
“It is a suite of symphonic dances, mixing old European modes with complementary non-Western sounds and styles. The suite is straightforwardly melodic and conventionally orchestrated. Udow injects plenty of syncopated rhythm and intricate counterpoint in his wind parts.” The symphony’s music director, George Manahan, for whom Udow has played in the Santa Fe Opera orchestra, gave “The Shattered Mirror” an energetic, well-articulated introduction last night at Virginia Commonwealth University. Alan Paterson made a convincing soliloquy of Udow’s long introduction for solo French horn, and cellist Neal Cary projected his folkish solo with a balladeer’s sensibility.”
Having retired after a distinguished career at The Santa Fe Opera (Principal Percussion 1968 - 2009) and the University of Michigan (1982 - 2011 Emeritus Professor), Michael devotes his full time energies towards composing. Michael continues to provide short term composition and percussion residencies at conservatories and universities around the world, most recently in China, Japan, Korea and the USA. In 2013 this included residencies in China, Japan and Korea. His inspiring composition teachers included Warren Benson, Herbert Brün, Edwin London, Thomas Fredrickson, Paul Steg, Wlodzimierz Kotoński and he credits Salvatore Martirano, Ben Johnston, Gordon Binkerd, Morgan Powell and Neely Bruce for their informative contributions. Michael’s exceptional percussion education began with Doc Meyer and continued with Bob Lee, F. Michael Combs, Jack McKenzie, Frederick Fairchild, Russell Hartenberger Michael Ranta, Alan Abel and his BM, MM & DMA professor, Thomas Siwe.
Born in 1949 in Detroit, Michigan, Udow began his musical studies at the piano. After several years, he gravitated towards percussion. At the age of eleven his family moved to Wichita, Kansas where he joined the Wichita Youth Symphony. In his first rehearsal with Roger Roller on the podium conducting George Enescu’s Romanian Rhapsody, Udow recalls being overwhelmed with the of the sound world of the strings, winds, brass and percussion; this pivotal experience provided the pathway for his life, which continued with four summers at the National Music Camp at Interlochen where his percussion teacher, Jack McKenzie encouraged Michael to compose and later. Later, at the Interlochen Arts Academy, Michael began his formal composition studies with Warren Benson.
Arriving at the University of Illinois in the fall of 1967, John Cage’s monumental Music Circus “happened.” Michael performed Ben Johnston’s Knocking Piece with Jocy de Oliveira in synchronization to an animated film of the poly-rhythms. He also performed Morton Feldman’s King of Denmark with Merce Cunningham dancers improvising to the music. That was the beginning of Michael’s comprehensive college education interacting constantly with composers. During his undergraduate studies Michael received a BMI Student Composers Prize for his composition, Seven Textural Settings of Japanese Haiku. After joining the New Orleans Philharmonic and then on to the Fulbright to Poland, Michael returned to the United States to tour with the historic groundbreaking Blackearth Percussion Group. Ultimately returning to Illinois with a Creative Arts Fellowship, he continued his composition studies and matriculated with a MM and the first DMA degree in percussion performance from the University of Illinois in 1978.
After late nights during summer months at the opera and while teaching during the winters, Udow continued to compose, including two operas as well as numerous symphonic, chamber and solo works. Michael recently completed Stepping Stones, a marimba duet, for Eriko Daimo and Pius Cheung and is currently completing a new orchestral and a new wind ensemble work.
Rhode Island Philharmonic Orchestra
Larry Rachleff - Conductor
Larry Rachleff is Walter Kris Hubert Professor of Music and Music Director of the Shepherd School Symphony and Chamber Orchestras. Mr. Rachleff also serves as Music Director of the Rhode Island Philharmonic; he has also been Music Director of the San Antonio Symphony.
Mr. Rachleff is especially noted for his rich and productive rapport with orchestra musicians. The Salt Lake Deseret News had this to say about him recently: “His interpretation (Prokofief’s Fifth Symphony) was charged with power and passion that never waned. His reading was compelling, yet he also managed to bring out the lyricism that lies hidden beneath the boldness of the themes. What was especially remarkable, he conducted the work from memory. The orchestra played marvelously. The musicians were at the top of their game, and their rapport with Rachleff was obvious. It was a fabulous collaboration between orchestra and conductor”
A former faculty member of Oberlin Conservatory, where he was Music Director of Orchestras and Conductor of the Contemporary Ensemble, he also served as conductor of the Opera Theatre at the University of Southern California. He has conducted and presented masterclasses all over the world, including the Chopin Academy in Warsaw, the Zurich Hochschule, the Sydney and Queensland, Australia conservatories, the Juilliard School, the New England Conservatory, and Royal Northern College in the U.K.
Larry Rachleff is an enthusiastic advocate of public school music education. He has conducted All-State orchestras and festivals in virtually every state in the United States as well as throughout Europe and Canada. He has also served as principal conducting teacher for the American Symphony Orchestra League, the Conductors’ Guild and the International Workshop for Conductors in the Czech Republic.
As a dedicated advocate of contemporary music, Mr. Rachleff has collaborated with leading composers including Samuel Adler, the late Luciano Berio, George Crumb, Michael Daugherty and John Harbison among others.
Larry Rachleff lives in Houston with his wife, soprano Susan Lorette Dunn, and their young son, Sam.
Label: Equilibrium Item Number: EQ130 Format: 2-CD Set Year Recorded: 2015
Reflections is a collection of seven orchestral works by composer/percussionist Michael Udow. The Rhode Island Philharmonic Orchestra, the Colorado Chamber Orchestra, the Boulder Philharmonic Orchestra, and the Madison Philharmonia give splendid performances of the music. Conductor Larry Rachleff and the Rhode Island Philharmonic Orchestra give an astonishing playing of The Shattered Mirror Suite. The music, originally for Udow’s opera of the same name, is incredibly lyrical and insightful. Another great performance is "Seven Textural Settings of Japanese Poetry" that features baritone David Barron. The music here is sparse but brilliantly orchestrated. "Apparition" is performed marvelously by timpanist Brian Jones and the Boulder Philharmonic Orchestra. This recording is undoubtedly a milestone in Udow’s career as an artist and musician. The performances throughout the recording are exciting and appealing. It is a truly wonderful accomplishment by one of the percussive community’s premier musicians and composers. -Brett William Dietz